So, Blogger got froggy and posted the cover reveal for my critique partner's book Who R U Really? earlier than expected. I was supposed to write a post to help celebrate it, and of course, pantster me, I didn't have anything together, so now I'm scrambling to get something up. Here's the cover:
In a world of 'body part' and 'girls in random gowns' covers, I adore this one. It's different, yet classic, and definitely one that would make me pull the book off the shelf.
I haven't had the opportunity to read Who R U Really? even in part yet, and I cannot wait to get my hands on it! To that end, I've already entered to win a ARC of the book on Margo's blog. You should too! And don't forget there are multiple ways to enter, so get to tweeting and sharing! You can find the reveal post and entry form here.
Monday, May 5, 2014
Tuesday, April 29, 2014
Go Forth and Don't Fear to Live
A lifelong friend, Carlton Dickerson, retired this past weekend. He was a choir director for a local church, and had been in that position for the last fourteen years, but he's held the position of choir director in other churches and has done numerous other things involving music, including founding a group called the Dogwood Chorus, which has put on various performances for the last thirty-five years. Really, Carlton's achievements are far too numerous for me to list. When I was a kid, my sister and I took piano lessons from him (my mother hoped for concert pianists, but ended up with dirty-loving pony girls. She loves us anyway) and that's really where it all began.
The thing is, Carlton doesn't have blood in his veins like the rest of us. He's got music. It just trails out of him wherever he goes, and leaves this lasting residue which affects anyone lucky enough to be nearby. Music is insidious that way. It gets under your skin and seeps into your muscles, settling against your bones. And anytime you encounter things that strike a chord with what you already carry inside you, it just rings that much deeper in your soul. Because of Carlton, I hear music everywhere. All his immeasurable skill couldn't force my sister and I to love the ivory like concert pianists do, but he showed us how to love the MUSIC. And he showed me to be fearless in loving that music. To dance when I felt like dancing or to sing along (albeit badly) just because acting on your love increases the joy you feel tenfold. How can you truly embrace the sensations music bring to you, if you chain them off inside yourself and don't acknowledge them?
And that was something else Carlton taught me, without even knowing he was doing it. He taught me to never hold back. Never stand on the sideline wanting to dance or sing, or do something, but not do it because someone might judge you. The world is an immense place and there will always be people in it (a huge number of people) who are too afraid to do the things they want to do. Sometimes it's a small fear (they don't want to dance in a public space, even though there's a song playing that they love) or a big fear (they dream of traveling the world, but can't bring themselves to leave home) and sometimes those fearful people are quiet, and you don't even know they're afraid.
But sometimes the people who are afraid, are loud, and they take out the frustration their own fears cause them on other people. People who aren't afraid. People who are dancing in public, or traveling the world, or else wise putting themselves out there because they're following their dreams. Maybe they call you silly, or stupid for dancing in front a of a street musician in the afternoon. Maybe they say you're being irresponsible, because you'd rather take a trip around the world than have a full time job. Maybe these people say something right then, out loud in front of everyone else who's standing around, or maybe they say things behind your back, or even try to convince other people that what you're doing or how you're living is wrong. People sometimes do a lot more damage to those around them out of fear than they do out of actual meanness. And sometimes they're truly just mean.
You can't stop people like that. But you don't have to let them stop you. They live (or don't live) the best way they can. And maybe their best way, involves hurting or ostracizing the people around them that look like good targets. But you can choose to live the best way you can. And maybe your best way of living is to live the way you want to, no matter what anyone around you thinks about that. It might not be easy, but you can do it. And doing it will make you happy, even when it's difficult.
Your friends and family, those of them who really know you and understand you, they'll try to protect you, and they might worry about you, but they'll never try to hold you back. They'll catch you when you fall, and they'll warn you when you climb back up, but they'll never stop you from climbing. They'll never tell you not to try, and they'll never tell you that you're wrong for trying.
Yes, I learned this in part from my parents, but I learned it from Carlton too. I learned it by watching him create, face adversity, and move on to create again. I've watched him choose to embrace the wonderful things in life, and seen him take joy from spreading it to others. Nothing seems to give him as much happiness as the ability to create happiness. Those are lessens he never meant to teach me, but he taught them just the same. And while my questionable piano skills have faded into history, Carlton taught me much more important things that are as clear in my mind now as they were when I first came to understand them.
Here's to many more years teaching people without meaning to, Carlton! And to many more years spent exploring the world, laughing, eating good food, surprising friends with convertible rides and spreading music, the universal language of emotions and connection.
I'll leave you with a link to a video of Carlton conducting the Hallelujah Chorus. This was a surprise mini-concert put on during his last Sunday service before his retirement by just a small number of the people who have performed under Carlton's guidance over the years. It was organized by his longtime friend Cyndy Kelly. I should note that there were only two rehearsals before the performance, and that almost no one made made both rehearsals. So, essentially, they've never practiced together until this moment. I dare you not to be moved by the performance, and the utter joy with which Carlton conducts.
Hallelujah Chorus
*Anyone interesting in knowing what my mom looks like, that's her in the front row with the shoulder-length black hair. And that's Cyndy in the black and white top, who's responsible for putting all of this on.
The thing is, Carlton doesn't have blood in his veins like the rest of us. He's got music. It just trails out of him wherever he goes, and leaves this lasting residue which affects anyone lucky enough to be nearby. Music is insidious that way. It gets under your skin and seeps into your muscles, settling against your bones. And anytime you encounter things that strike a chord with what you already carry inside you, it just rings that much deeper in your soul. Because of Carlton, I hear music everywhere. All his immeasurable skill couldn't force my sister and I to love the ivory like concert pianists do, but he showed us how to love the MUSIC. And he showed me to be fearless in loving that music. To dance when I felt like dancing or to sing along (albeit badly) just because acting on your love increases the joy you feel tenfold. How can you truly embrace the sensations music bring to you, if you chain them off inside yourself and don't acknowledge them?
And that was something else Carlton taught me, without even knowing he was doing it. He taught me to never hold back. Never stand on the sideline wanting to dance or sing, or do something, but not do it because someone might judge you. The world is an immense place and there will always be people in it (a huge number of people) who are too afraid to do the things they want to do. Sometimes it's a small fear (they don't want to dance in a public space, even though there's a song playing that they love) or a big fear (they dream of traveling the world, but can't bring themselves to leave home) and sometimes those fearful people are quiet, and you don't even know they're afraid.
But sometimes the people who are afraid, are loud, and they take out the frustration their own fears cause them on other people. People who aren't afraid. People who are dancing in public, or traveling the world, or else wise putting themselves out there because they're following their dreams. Maybe they call you silly, or stupid for dancing in front a of a street musician in the afternoon. Maybe they say you're being irresponsible, because you'd rather take a trip around the world than have a full time job. Maybe these people say something right then, out loud in front of everyone else who's standing around, or maybe they say things behind your back, or even try to convince other people that what you're doing or how you're living is wrong. People sometimes do a lot more damage to those around them out of fear than they do out of actual meanness. And sometimes they're truly just mean.
You can't stop people like that. But you don't have to let them stop you. They live (or don't live) the best way they can. And maybe their best way, involves hurting or ostracizing the people around them that look like good targets. But you can choose to live the best way you can. And maybe your best way of living is to live the way you want to, no matter what anyone around you thinks about that. It might not be easy, but you can do it. And doing it will make you happy, even when it's difficult.
Your friends and family, those of them who really know you and understand you, they'll try to protect you, and they might worry about you, but they'll never try to hold you back. They'll catch you when you fall, and they'll warn you when you climb back up, but they'll never stop you from climbing. They'll never tell you not to try, and they'll never tell you that you're wrong for trying.
Yes, I learned this in part from my parents, but I learned it from Carlton too. I learned it by watching him create, face adversity, and move on to create again. I've watched him choose to embrace the wonderful things in life, and seen him take joy from spreading it to others. Nothing seems to give him as much happiness as the ability to create happiness. Those are lessens he never meant to teach me, but he taught them just the same. And while my questionable piano skills have faded into history, Carlton taught me much more important things that are as clear in my mind now as they were when I first came to understand them.
Here's to many more years teaching people without meaning to, Carlton! And to many more years spent exploring the world, laughing, eating good food, surprising friends with convertible rides and spreading music, the universal language of emotions and connection.
I'll leave you with a link to a video of Carlton conducting the Hallelujah Chorus. This was a surprise mini-concert put on during his last Sunday service before his retirement by just a small number of the people who have performed under Carlton's guidance over the years. It was organized by his longtime friend Cyndy Kelly. I should note that there were only two rehearsals before the performance, and that almost no one made made both rehearsals. So, essentially, they've never practiced together until this moment. I dare you not to be moved by the performance, and the utter joy with which Carlton conducts.
Hallelujah Chorus
Friday, April 18, 2014
My Writing Process Blog Tour
Margo Kelly (check out her blog here) author of the upcoming novel Who Are You Really? and one of my critique partners, invited me to join in the My Writing Process Blog Tour!!! So, here goes... let's see if I can actually articulate my process...
The questions:
1) What am I working on?
I think the easier question would be, what am I NOT working on? As an author still in the process of trying to land herself an agent, I find it virtually impossible to resist indulging in any new idea that crawls into my mind and makes itself at home. Even ideas that I know intuitively won't end up being terribly marketable get a fair shot at being put on paper. I really feel very strongly that every single story you write betters you as a writer, even if it's a story that's never going to hit the shelves. That said, I do try to give the majority of my writing time to manuscripts that will hopefully get an agent to take a chance on me. Currently, I'm immersed in edits on my Contemporary YA, CATSKIN (formally Gone Missing Girl) which were brought on by receiving detailed feedback from not just a prospective agent, but also that agent's intern!!! In addition to these edits (and I *should* be sending chapters to Margo as well... but I've been delinquent recently) I'm working on a few projects that are just in the first draft stages. One is completely different, as it's a fantasy, but not YA. The other is YA (my true love) but I haven't settled on which sub genre it will fall under. Most likely paranormal, or magical realism. I'll have to wait and see how the story unfolds :) I've also got several manuscripts in various stages of editing, shelving, dusting off, possibly resubmitting, etc. It sounds super productive, but really, it's just that I'm only happy when I'm writing, thus, I write as much as I can.
2) How does my work differ from others of its genre?
Hmmm. Part of me would love to make a dark self-directed jab along the lines of how it apparently doesn't differ from others all that much, since none of it has landed me an agent. But I'd be selling myself short, despite that I'm still agent-hunting. For starters, the MC of Catskin is a six foot four albino guy named Ansel who lives in Healy, Alaska. Not many of those in current YA listings :) I hope that one of the things setting my work apart from others is a mixture of unique characters, unique points of view, voice and the mix of humor and seriousness that I try to infuse into each story.
3) Why do I write what I do?
I began to write, I mean really write, when I was a freshman in high school. Now, that wasn't writing with any intention of ever being published, it was just writing because I had to get the stories out of myself. People would invite me to go out places and I would say 'No, I can't, I've got to write tonight.' Finally, my mom took me aside and said 'Honey you don't ever have to write. You can go out and do stuff with your friends.' That was when I understood I was a writer, and I just hadn't realized it yet. I am the most happy when I'm pouring stories out of myself and onto paper. The truth (which I came right out and said, once I understood how to articulate it) was that I *could* go out with my friends whenever I wanted, but for the most part, while I love my friends, I would rather be writing than going out in social situations. So, that, in a nutshell, is why I write to start with. As to why I write YA specifically, and why YA is what I want to make a career of writing, all has to do with that precarious borderland between childhood, and everything else. I was different from many kids growing up. I'm an identical twin, and as small kids, my sister and I would spend literally days out in the woods. We had each other, and we didn't care if we 'fit in' with any particular 'crowd' at school. Then when we were 8, my parents got us riding lessons at a place where you had to take care of the horses as much as ride them. Thus began a time of growth that involved other horse-kids, animals, working with nature no matter the weather, caring for ancient creatures even as they're dying, helping new babies grow up and all sorts of other things that didn't include television, technology, or popular 'it' crowds. So right there I got a toe into life that was outside the mainstream. Then at thirteen, we moved (to a place in the country, it was awesome) and I found my Dad's 'stash' of fantasy novels. I'd already read Tolkien and other fantasy works, too many to list, but these were Dragonlance and Forgotten Realms series, as well as several others. Those books changed me, and shaped the person I became, and that's what I want my books to do to other kids balancing on that cusp between childhood and everything else. I want to write things that some kid reads and by doing so, understands that they don't have to be like every other kid. I want them to read my books and realize that being different is awesome, and that the world can't change them if they don't let it. I don't care WHAT the 'mainstream' says, you don't have to have a boyfriend or girlfriend to be fulfilled. You don't have to go to college (though education is a great thing) or love a certain type of person, or look a certain way. You don't even have to grow up if you don't want to. Not in all the ways that matter. I'm perfectly capable of caring for my little niece responsibly, but that doesn't mean I'm going to pass up the chance to tie bread bags on my feet and play in mud puddles, just because I'm a 'grownup'. There's a huge difference between being responsible and mature, and being so consumed with 'acting like an adult' that you lose sight of all the things that make life fun. Kids nowadays are so pressured to conform that they're too afraid to be happy, if happy falls outside the defined edges of expectations imposed on them. And the worst part, is that those perceived expectations are complete hogwash, but kids don't understand that until years later, and then many of them never try to reclaim the people they were before they gave up and stuffed themselves into type of person they felt like they had to be.
4) How does my writing process work?
I am a panster. I've said it, and it's true. There are times when I sit down and list out characters and points, but for the most part, when I write, I throw it right out on the paper without obsessing over the details. I'll get an idea, but instead of immediately jotting stuff down like many other writers, I do nothing. I mull and mull and chew like an unknown species of ruminant, regurgitating plot lines and characters and devouring them again until the first line rises up inside me. Then I start writing. With a pen. On paper. Yeah, I still do that. There is just something so satisfying about writing on paper. I'm a scripturient. Yes, it's a real word. Look it up, and know that I am that word. Seriously, it'll be inked on me eventually.
Anyway, usually, the more I write on a story, the more clear the details become. Now, it is true that you're much better off knowing where your story is going when you start it. Despite being a panster, I do, almost always, know how the story will end, even if I don't know exactly what will happen, or how the characters will get to that point. Once I'm writing, I'll make supporting documents, not quite outlines, but lists of points and markers, details about characters, or if there is a magical system or different world, facts about it.
So there you have it. Me, in four small questions, and big longish answers! Now, let me introduce you to the next three lovely authors on the tour!
First up, Rebecca Fields!
Rebecca Fields is a modern gypsy, roaming from place to place in search of – well, she’ll let you know when she finds it. Writing has become a way for her to share her adventures, both real and imagined. When she’s not planning her next move (okay, even when she is), she’s busy writing, reading or playing… ahem… networking on social media sites.
http://rebeccafields.wordpress.com
And the lovely Shveta Thakar!
Shveta Thakrar is a writer of South Asian–flavored fantasy, social justice activist, and part-time nagini. She draws on her heritage, her experience growing up with two cultures, and her love of myth to spin stories about spider silk and shadows, magic and marauders, and courageous girls illuminated by dancing rainbow flames. When not hard at work on her second novel, a young adult fantasy about stars, Shveta makes things out of glitter and paper and felt, devours books, daydreams, bakes sweet treats, and occasionally even practices her harp.
So there you have it. Me, in four small questions, and big longish answers! Now, let me introduce you to the next three lovely authors on the tour!
First up, Rebecca Fields!
Rebecca Fields is a modern gypsy, roaming from place to place in search of – well, she’ll let you know when she finds it. Writing has become a way for her to share her adventures, both real and imagined. When she’s not planning her next move (okay, even when she is), she’s busy writing, reading or playing… ahem… networking on social media sites.
http://rebeccafields.wordpress.com
And the lovely Shveta Thakar!
Shveta Thakrar is a writer of South Asian–flavored fantasy, social justice activist, and part-time nagini. She draws on her heritage, her experience growing up with two cultures, and her love of myth to spin stories about spider silk and shadows, magic and marauders, and courageous girls illuminated by dancing rainbow flames. When not hard at work on her second novel, a young adult fantasy about stars, Shveta makes things out of glitter and paper and felt, devours books, daydreams, bakes sweet treats, and occasionally even practices her harp.
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